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Re: [TenTec] 566 v3.029 and 707 Regal mic

To: Discussion of Ten-Tec Equipment <tentec@contesting.com>
Subject: Re: [TenTec] 566 v3.029 and 707 Regal mic
From: Richards <jruing@ameritech.net>
Reply-to: Discussion of Ten-Tec Equipment <tentec@contesting.com>
Date: Fri, 30 Nov 2012 16:18:57 -0500
List-post: <tentec@contesting.com">mailto:tentec@contesting.com>
____________________________________________

On 11/29/2012 12:46 PM, Rsoifer@aol.com wrote:
        
        > FYI, the output impedance of the 709A is
        600 ohms, while that of the 707 is > 50k ohms.
        The O2 specs call for >10k.
__________________________________________

Hmmm...  Not sure, but...

I don't think these impedance variations are material - at least not enough to cause problems or to really explain what we are seeing in differences in performance in this case. Generally, modern audio gear does not seem to care about impedance. RF does, but audio gear not so much.

Others, with serious degrees like Jim B K9YC, can better explain why, but I have read, and have long believed, that wide variations in impedance in this case is not material, except in certain cases, such as when you want to drive a PA with a high impedance microphone, or a guitar amp with a high impedance pickup, and you wanna use a 100 foot cable in between. (Then you might want a DI box or other transformer...)

Try this:
        http://sound.westhost.com/impedanc.htm

especially the bit on microphone impedance, and how the audio chain differs from an RF chain.

Or try this:
        http://suite101.com/article/audio-impedance-matching-a187871

which says,
        "Most audio inputs are 'bridging' inputs, where
        the load impedance is much higher than the
        signal source impedance. In that way, when
        the signal is fed to an extra piece of kit in
        parallel the signal level does not fall appreciably.
        Thus at line level, most modern outputs are
        < 100ohm impedance and inputs are
        usually > 10kohm.

        When Should Source and Load Impedance Be Equal?

        When a cable length is more than about a tenth
        of the wavelength of the highest frequency
        present, then the frequency response may
        become uneven. For audio, the highest frequency
        is about 22kHz for CD, making the wavelength
        a little over 8km assuming a cable velocity factor
        of 0.6. 800m is much longer than most audio
        cables in practice, so this is not usually a worry."


Or what it says here:
        http://hyperphysics.phy-astr.gsu.edu/hbase/Audio/imped.html

particularly re: mic input matching.


Or here:

        http://www.soundonsound.com/sos/Jan03/articles/impedanceworkshop.asp

-- Thus, I am thinking variation in microphone impedance may not be material, and at least not the reason we are seeing differences in the case at bar.

Just MY take...

At least my intentions are good... and my road to He** is very well paved with my good intentions ! ;-)

-----------------  K8JHR  ----------------------------







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